Category

2014

Lost Property Unit

By | 2013, 2014, commercial

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Lost Property Unit – Beat Repeat from Eric Barry Drasin on Vimeo.

Lost Property Unit Night 2 jan 2014 from yuditskaya on Vimeo.

 

Lost Property Unit @ Gov’s Island from yuditskaya on Vimeo.

Choreography: Mei-Yin Ng
Projection Design: Sofy Yuditskaya
Additional Projection Design: Eric Barry Drasin
Lighting Design: Poe Ayumu
Sound Design: James Lo

In October of 2013 I started a residency on Governors Island with Sofy Yuditskaya and Choreographer Mei-Yin Ng on a multi-media dance performance. Here is some documentation of the works in progress showcase on the Island. The piece is in production for a showcase in early February 2014 as part of “HERE” Culturemart.

In “Lost Property Unit”, New York City’s own chartered dance explorer Mei-Yin Ng opens an investigation into the bodily and soul-driven limits of surveillance, networking, and media. Dance, robotic sculpture, and a time bending blend of live and recorded video craft a chilling narrative of a beautiful recluse and the cyborg pet who is anything but her best friend. Quoting and re-writing Hitchcock’s thrillers, Wong Kar-wai’s nostalgic romances, the science fiction of Twilight Zone, and the canon of Chinese mythology, “Lost Property Unit” lures us into a head space where solitude is never total and togetherness is always just out of reach.

Lost Property Unit

By | 2013, 2014

<- Return to Main Commercial Home

 

Lost Property Unit – Beat Repeat from Eric Barry Drasin on Vimeo.

Lost Property Unit Night 2 jan 2014 from yuditskaya on Vimeo.

 

Lost Property Unit @ Gov’s Island from yuditskaya on Vimeo.

Choreography: Mei-Yin Ng
Projection Design: Sofy Yuditskaya
Additional Projection Design: Eric Barry Drasin
Lighting Design: Poe Ayumu
Sound Design: James Lo

In October of 2013 I started a residency on Governors Island with Sofy Yuditskaya and Choreographer Mei-Yin Ng on a multi-media dance performance. Here is some documentation of the works in progress showcase on the Island. The piece is in production for a showcase in early February 2014 as part of “HERE” Culturemart.

In “Lost Property Unit”, New York City’s own chartered dance explorer Mei-Yin Ng opens an investigation into the bodily and soul-driven limits of surveillance, networking, and media. Dance, robotic sculpture, and a time bending blend of live and recorded video craft a chilling narrative of a beautiful recluse and the cyborg pet who is anything but her best friend. Quoting and re-writing Hitchcock’s thrillers, Wong Kar-wai’s nostalgic romances, the science fiction of Twilight Zone, and the canon of Chinese mythology, “Lost Property Unit” lures us into a head space where solitude is never total and togetherness is always just out of reach.

The Secret Soup Is In Your Shoes

By | 2014

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The Secret Soup Is In Your Shoes (2014)

Solo Project House Gallery @ Gateway Center, Newark NJ

A multi-channel audiovisual installation by Eric Barry Drasin.  Based on the “Secret Soup” performances, this installation fragments and spacializes the piece into an ambient multi channel work that implies a type of healing circle.

The piece consists of 7 looping DVD’s.  The piece is designed to be displayed on 7 sequential television monitors placed on folding chairs, with an eighth empty chair.

About The Secret Soup:

The Secret Soup is a realtime system for improvised audiovisual composition.

The work is improvised as a direct expression of spontaneous ecstatic experience, flickering and shimmering as layers of energy are built up and explored.  Each pass through reveals a new level of complexity as forms grow and evolve.
Referencing audiovisual synthesis techniques, custom digital interfaces control two

oscillators and looper with 1:1 visual counterpart.  Lines move across the frame while the oscillators are played to create an audiovisual gesture.  This gesture is looped and a new gesture is  created forming a call and response using waveforms as

the vernacular.  In this way a tableau is sculpted and layered to create rich tapestries of light and sound.  A narrative of abstract forms emerges as the composition becomes more dense and complex over time.

The piece exists simultaneously as a “living system,”  an immersive installation and a performance.  The system is living, in that it is constantly evolving and new relationships between sound and light are readily mapped as the system changes.  Each performance is both unique to the moment of conception and recorded to preserve that specific iteration.